The Raconteur is a ‘teach yourself’ book. It describes how one can
become an oral storyteller or ‘raconteur.’ Closely akin to public
speaking, it is something which almost anyone can develop as a skill,
providing they are willing to put in the time.
In the world of professional speaking there is a great deal of
emphasis placed on ‘telling stories’ to make one’s point. However,
there is very little literature on how to go about this. In The Raconteur
the author describes how to find material, how to put it together, and how to
The Raconteur has been written by a Toastmaster for Storytellers.
It is the writer’s sincere wish that by familiarising yourself with storytelling
knowledge and techniques, your presentations will become even more interesting,
moving, and effective.
Tom and Dr. YKK met in 2008 whilst attending a Toastmaster meeting in Sydney, Australia. They discovered that they shared many common interests: spirituality, creative writing, public speaking and - happiness. A mutually shared philosophy of 'spreading happiness' appealed to them both, hence the idea for this book speedily taking root. Both of them were already acccomplished writers and speakers so 'Who Stole Your Happiness?" is a natural progression.
This book was written in 2009.
The Sealers is a work of fiction I wrote in the early 1980s. Historical events and persons are mentioned, but these are of minor significance to the story and are used only to lend authenticity. Certainly the island of MacQuarie was discovered - as far as modern Australia is concerned - during the governorship of the man after whom it is named. Certainly the sealers slaughtered the island's wildlife. Just as certainly, sealing gangs contributed heavily towards the extermination of Tasmania's Aboriginals. But the MacCullochs, Stark, Moodie, and their ships, their families, and their employees are all figments of the author's imagination.
Sailorboy Blue was written during my year down on MacQuarie Island 1976-77. It is a work of fiction and deals with the amorous adventures of a young man who joinsthe Navy to 'see the girls.' Set in the 1950s, it parallels to some extent the author's own adventures at the time.
Sailorboy Blue is dedicated to the sailors of the Royal Australian Navy, and to those who have loved them and continue to love them.
Arthur Thomas (Tom) Ware got into Automatic Writing gradually. Unlike Neale Donald Walsch, he did not arrive full blown at the level where he could converse with the highest of spiritual entities - what Walsch calls God. Rather, he started with the mundane and gradually improved the quality of what he was to receive over a period of many years.
Tom commenced Ghost Guidance in 1972. In those days there was little acceptance of this sort of communication. Indeed, if one wasn't careful, one could find oneself placed in a mental institution. Even the universities, on the whole, were afraid to tackle this sort of para-psychology. However, Tom perservered for over forty years.
This book is remarkable for the multiplicity of contacting entities. In it, Tom has recorded messages from a psychiatrist, medical researcher, industrialist, a number of writers, an actor, even a mechanical engineer, as well as a number of philosophers to mention a few. All of these have been anxious to provide us with what they regard as knowledge not commonly known to us on our earth plane at the time of their writing (late 1960s to early 1970s)
“Searchtime Expired - an exposition
Searchtime Expired is a work of fiction set against a background of aviation in Papua-New Guinea in the 1960s. Its chief characters are McNab, a thirty-year-old air-traffic controller who is extremely dissatisfied with his lot and, Betty, the young innocent who is hopelessly in love with him. The subplot deals with the smuggling of prohibited exports and imports: Australian fauna (birds) and narcotics respectively. In the subplot I have used “dialogue only” both to advance the story and to reveal these secondary characters. It is a work which can equally be called an “adventure,” a “romance,” or as the late and famous Graeme Green used to refer to some of his stories: “an entertainment.”
It was written in 1968. I hope you like it.
An autobiography never tells the truth. The author can try. But the facts are that his memories are subjective. They are also coloured by time. A writer of his own biography remembers the events as seen through the bias, prejudice, the foolishness and wisdom of his ego at the time in which he writes. He does not write about the past as it was. He writes about it as he remembers it. He remembers with nostalgia. His aversions and cravings about how things once were depend upon the feelings which are in his make up at time of writing. If he were to have written his story earlier, or later in life, it could have been presented in a different way.
A biographer, that is, a “third person,” can get get closer to the objective truth- but only of external events; of the actual physical things which happened. But he is on the outside. He cannot know the thoughts and feelings which have gone on within the human being of whom he writes. He can only guess at them. So a book of this nature, whether written by the story’s central figure, or by another who is viewing that person’s story in “third person,” is always a compromise between what really was and how it is interpreted and recorded in print. This is the First Part of the inaccuracy which makes for misunderstanding.
The Second Part of misunderstanding is the usual semantic one. The words the author uses are never interpreted exactly by the reader as they were meant to be when encoded verbally by the writer. My “dog” might be a black-and-brown German Shepherd, one reader’s might be a grey Airedale, whilst a second reader’s might be a white Miniature Poodle. Words are not precise instruments. Unlike the tools of mathematics which are interpreted exactly the same way by everyone around the world, even the most mundane nouns are “envisualised” slightly differently in every human mind. I mention all of this in order to make it clear that no matter how hard any one tries to bring his truth to another, he cannot do so with one hundred-percent exactitude. Our truth is an individual experience. Moreover, it changes as we change. We can only do our best to make it as clear as possible to our reader by being as descriptive as possible.
As the biographer of my own life story I was hard pressed for a title. But I am a strong believer in a totally planned universe. I don’t believe in chance. As Albert Einstein said, “God does not play dice with the universe,” and I am convinced of this. Everything which happens, does so because it was meant to. This does not preclude free will. Free will is included within the greater scheme of things. But I won’t go further into this in this introduction. I called the work, “Tom’s Karma” for obvious reasons. But at time of writing it seems that most of the “bad” aspects of this karma are behind me. I believe I have served my life purpose to this point. That is, I have worked through most of those emotional debts. Today an increasing sense of inner peace and harmony prevails. But to see how I got to this point in my emotional and mental life the reader will need to read my story. I hope you find it interesting.
Divine Dialogue is a “how to” book. It is written both as an introduction to the phenomenon of Automatic Writing, and gives instructions as to how the reader can develop this skill for his or herself.
Unlike Neale Donald Walsch, with his famous Conversations with God series, where he started off with full blown conversations with what he calls God, most people who discover and develop this mode of spiritual contact, start off from more mundane levels. In the author’s case – and he’s been at it for a lot longer than Walsch- it started with a few unintelligible scribbles, gradually traversing a range of spiritual entities until, after several decades, conversations with Higher Self, or God, came into being.
This book will not only show people how to go about the process of developing the skill. It will provide helpful pointers based on the experience of the author’s forty years of practice. It will give advice as to the hazards and pitfalls to be avoided. And most of all, it will provide the reader with information from “The Man Himself,” the author’s Higher Self.
Where Are You - Me? is based on the author's twenty-five years of Vipassana Meditation practice. Since the time he undertook his first ten-day course at Dhamma Bhumi in Australia's Blue Mountains in 1986, Tom, as he prefers to be called, has kept up his twice daily practice. It would be fair to say that he has around 22,000 to 23,000 hours of meditation behind him - a lot. Moreover, he has also undertaken fourteen ten-day course and a number of shorter cases, so he is well-established in this technique. Come with Tom into that space which resides within us all.
The book comprises a series of recorded conversations between Arthur Thomas Ware, the author’s ‘little self’ (referred to as ego in psychological literature) and ‘Higher Self,’ that part of us which is closest to God.
A great many books have been ‘dictated’ to authors via the phenomenon known as Automatic Writing. The most recent of these have been the best selling series, Conversations with God, Books 1, 2, and 3, Friendship with God, and Communion with God, by Neale Donald Walsch of the USA. Walsch took his first automatic communication in 1993. I’ve been at it since 1968.
Divine Dialogue is the result of forty years of practice. During this time the author has taken down far more than a million words by this method. This book deals with his experiences in how to master the technique. Advice is given on what to do and, of equal importance, what not to do. And this advice comes not only from the author’s little self but from that part of him purporting to be God.